Shot List
After looking over the shots shown I created a shot list for each scene in the 2 minute segment.
The Shot List:
Scene | Shot | Shot size / angle | Movement | INT/EXT | Time of Day | Shot description | |
1 | Long Take | Close Up/ Overhead Angle | Tracking | Backstage-Backstage | Daytime | Long Take of script getting picked up from table and passed around | |
1 | Short Take | Close Up/ Overhead Angle | Tracking | Backstage | Daytime | Someone picking up paper then transition to someone else | |
1 | Short Take | Close Up/ Overhead Angle | Tracking | Backstage -Backstage | Daytime | Someone picking up paper then transition to someone else | |
1 | Short Take | Medium Shot | Pan | Backstage- Set | Daytime | The main character picks up the script and reads | |
1 | Long Take | Full Shot | Still | Backstage -Sitcom Set | Daytime | Character Tells a joke | |
2 | Short Take | Close Up/oblique | Steadicam | Sitcom- Sitcom | Daytime | Close up of main character telling a joke | |
2 | Short Take | Close UP / Oblique | Steadicam | Sitcom - Sitcom | Daytime | Close up of family but background laughing | |
2 | Short Take | Master Shot | Dolly | Sitcom-Sitcom | Daytime | then shows the family in the sitcom | |
2 | Close Up | Oblique Angle | Tracking | Sitcom - Sitcom | Daytime | Tracking shot to main character’s face confused looking around | |
2 | Master Shot | POV | Still | Sitcom- Backstage | Daytime | Straight Cut to camera crew | |
2 | Close Up | POV | Still | Backstage - Sitcom | Daytime | Intercutting of main character and camera crew | |
2 | Close Up | POV | Still | Sitcom - Backstage | Daytime | Intercutting of main character and camera crew | |
2 | Wide Shot | High Angle | Zoom out | Backstage -Whole Film Set | Daytime | Wide Shot of entire set with the main character scared | |
2 | Over The Shoulder | Medium | Zoom | Film Set - Backstage | Daytime | Over the shoulder shot of dialogue with the main character and family member | |
2 | POV | Eye Level | Pan | Backstage – Set | Daytime | Main character looks around to find an exit | |
3 | POV | Eye Level | Pan | Set– Exit | Daytime | Main character looks around to find an exit | |
3 | Medium Shot | Knee Level | Tracking | Exit - Exit | Dark Hallway | Main character runs to exit and tries to leave set | |
3 | Medium Shot | Eye Level | Tracking | Exit - Exit | Dark Hallway | Main character running towards the exit | |
3 | Short Take | Medium Shot | Dolly | Exit – Exit | Dark Hallway | Main character tries to open the door | |
3 | Short Take | Close Up/ Dutch Angle | Tracking | Exit - Door | Dark Hallway | Close up of doorknob as main character tries to escape | |
3 | Long Take | Over the Shoulder | Steadicam | Infront of Door | Dark Hallway | Kidnapper comes behind main character and knocks him out | |
4 | Short Take | High Angle/ POV/ Close Up | Zoom out | Exit – Isolated Room | Dark Room | Extreme close up of eyes opening, then pans out to character strapped to chair. | |
4 | Long Take | Establishing Shot/ Wide Angle | Tilt | Isolated Room | Bright Room | Main character strapped in a chair | |
4 | Short Take | Medium Shot | Steadicam | Isolated Room | Bright Room | Main character strapped in a chair and his eyes open |
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